Sunday, 7 January 2007


..."it was good for us."

Revolver magazine reports in its February 2007 issue that BULLET FOR MY VALENTINE's latest album, "The Poison", catapulted the band into the U.K. limelight. Within no time, they found themselves being mentioned in the same breath as AVENGED SEVENFOLD and TRIVIUM, two other young bands that wear their love for old-school metal on their tattooed sleeves.

"The three biggest bands of the moment, that have got the biggest buzz and are making the biggest impact, are us, TRIVIUM and AVENGED," BULLET FOR MY VALENTINE frontman Matt Tuck told Revolver. "We've known them for, like, two years now, but we really got close with them this summer, when we all opened for METALLICA in Europe and played a lot of the same festivals. We're all very ambitious young men — we all have the same goals. And there's no rivalry. We all hang out, get drunk, and it's just cool. There's no bullshit.

"It seems like it's kind of meant to be, like it's part of a cycle," he continued. "You've got GUNS N' ROSES, METALLICA and IRON MAIDEN, and now there's us, TRIVIUM, and AVENGED. AVENGED have the GUNS N' ROSES thing, TRIVIUM have the METALLICA thing, and we've got the MAIDEN thing. It just seems right, in a spooky way."

In addition to the aforementioned METALLICA gigs, BULLET scored what Tuck describes as "dream-come-true" opening slots with GUNS N' ROSES and IRON MAIDEN in 2006. They also opened a U.S. tour for ROB ZOMBIE and LACUNA COIL, though their participation in that particular endeavor came to a premature close after Tuck posted a rant on BULLET's official message board calling the ZOMBIE camp "money-grubbing fucks" for forcing the other bands on the tour to sell their T-shirts at inflated prices.

"A fan was bitching on our web site about the T-shirt prices and how short our set was," guitarist Michael "Padge" Paget explained. "They were doing price-matching on the shirts, and it was all totally out of our hands, so Matt just kind of told him the truth of how it was. And that was then put up on Blabbermouth [See previous BLABBERMOUTH.NET stories: Story#1, Story#2, Story#3, Story#4], and someone e-mailed it to Rob Zombie himself. It was a misunderstanding, but Zombie wanted us off the tour, so we left."

"I'm not proud of it, but it didn't hinder us in any way at all," Tuck said of the Zombie incident. "If anything, it helped us — the album sales shot up the week afterward! And then, the three weeks we had back home because of that, we wrote a whole bunch of new songs that are going to be on our next album."

...seriously, be a member of f*cking Glassjaw!

According to MTV.com, the reunited GLASSJAW are offering fans a chance to become the band's next ex-member. The winner will be made an official member of the band, get kicked out, then will be listed as an ex-member on the band's web site and even receive a phone call from an actual former member of GLASSJAW. More information on the contest can be found at the band's MySpace page.

GLASSJAW singer Daryl Palumbo recently told MTV.com about GLASSJAW's upcoming CD, "The band is totally reinvigorated . . . We've been writing, we've been rehearsing every day, and we've got some new shit together. I can't wait to get back out there, because GLASSJAW's me. It's my personality. It's a huge part of me — being that angry and playing those songs and being in that mood. I need it, I need it — absolutely need it."

"With GLASSJAW, it's been about 13 years in the making, and I think that we'll get that product out of us that we've wanted all these years," Daryl said. "For this particular band, at this particular point in our career, to get the four of us in a room — I think some beautiful shit's gonna happen. But it's going to take a little while. We still have to finish the writing and the recording, and I have lots to do with HEAD AUTOMATICA in the next year. It's going to be a balancing act for me, so it's going to take a minute. Both records will happen at the right pace, but I would like to have them both out next year. That would make me so fucking happy."

Watch Rob Flynn and the boys fill you in on how it's all going

Enter the studio with MACHINE HEAD in part two of "The Blackening Sessions", a behind-the-scenes look at the band as they record their upcoming album, "The Blackening". Head on over to the "Media" page of the band's official web site at this location to watch the clip.

MACHINE HEAD's sixth studio album, "The Blackening" is tentatively due on March 27, 2007 via Roadrunner Records (one day earlier internationally). The group recorded the new CD at Sharkbite Studios in Oakland, CA, with MACHINE HEAD frontman Robert Flynn returning to the producer's chair, and Mark Keaton once again handling engineering duties. Longtime MACHINE HEAD collaborator Colin Richardson (CANNIBAL CORPSE, TRIVIUM, BULLET FOR MY VALENTINE) mixed the record alongside Flynn in London. The band also tapped longtime MACHINE HEAD artist Paul Brown (MARILYN MANSON) to work on the album art.

"The Blackening" tentative track listing (not in final order):

01. Clenching the Fists of Dissent
02. Beautiful Mourning
03. Aesthetics of Hate
04. Now I Lay Thee Down
05. Slanderous
06. Halo
07. Wolves
08. A Farewell to Arms


In a recent interview with MTV.com, Flynn stated about the upcoming CD, "We really didn't want to play it safe on this record. We kind of came back from the dead with 'Through the Ashes of Empires', and the safest thing we could've done would've been to just stay in [that] vein and try to keep that formula because it worked last time. Not that there was a formula really. We just started writing and the music that we were writing just started going in this far more complex, intricate and layered direction. It's not like we sat there and intentionally did it. It just kind of [happened]. Pretty soon we ended up having 10-minute-long songs. But the thing that's really cool about it is, we're not just jamming on three riffs for 10 minutes. This is molten riffage — just 20, 30 crushing riffs per song."

MACHINE HEAD will team up with LAMB OF GOD, TRIVIUM and GOJIRA for a North American tour in February-April 2007. (NOTE: MACHINE HEAD will go on **before** TRIVIUM and will perform a 40-minute set every night.)

DEMISE OF EROS
‘NEITHER STORM NOR QUAKE NOR FIRE’

(STRIKE FIRST)
http://www.demiseoferos.com
Buy: http://www.breakmyears.com
Rating: [7]
Add Your Comments

Pittsburgh fivesome Demise Of Eros certainly know their metalcore. Dual guitar harmonies, kick drums and rasping vocals are here in abundance, so if you enjoy gorging on Trivium and Bullet For My Valentine then you’re in for a feast. But for the less metalcore-obsessed, it’s the genre-hopping surprises that taste the sweetest. ‘Engraved On My Palms’ has shifting proggy rhythms, ‘Reach For The Sky, Punk’ drops into deep death growls before reaching an Opeth-style zenith, and end track ‘Of Ages Past’ incorporates some gothic piano work. Demise Of Eros also have a soft side, as evidenced by the smatterings of acoustic and Spanish guitar. If music be the food of love, Demise of Eros will soon be fighting off attention.

A STATIC LULLABY
‘A STATIC LULLABY’

(FEARLESS)
http://www.astaticlullaby.com
Buy: http://www.breakmyears.com
Rating: [6]
Add Your Comments

The follow-up ‘Faso Latido’, A Static Lullaby’s ill-fated debut (and only) major label album, finds the Californian quintet sadly treading water. Following a massive line-up shuffle that saw the departure of three members, the band have failed to return with anything that marks them out in an increasingly turgid scene. That’s not to say that A Static Lullaby don’t play the screamo game with greater aplomb than their cohorts; unlike so many of the soundalikes who have risen and fallen since ASL’s inception five years ago, these guys are fine songwriters and don’t do it by numbers. The problem being that, regardless of their abundant ability and experience, this album by default sounds old. Still, worth a look-in if you cling dear to quality purveyors the format.

THE BRONX
‘THE BRONX’
(WICHITA)

Rating: [9]
Add Your Comments


Deep down The Bronx must be feeling pretty smug with themselves right now; safe in the knowledge that they have not only recorded a damn fine follow-up to their 03 self-titled debut, they’ve also recorded by far the best punk rock album of 06, leaving all competition in the dirt.
In fact, if there is any band at all who think they’re good enough to challenge this album, please step forward, ‘cos I’m curious to hear anything surpass The Bronx right now. Starting off with some Swahili chant (or something like that), the quartet kick in with the frantic, relentless ‘Small Stone’ before laying waste with the agitated ‘Shitty Future’ and the bombastic groove, sleaze and dirty bass rumbles of ‘History’s Stranglers’. Albums never start off as well as this!
Matt Caughthran’s rasp controls the show as he erupts with the kind of conviction the likes of M Shadows and Matt Tuck could only dream of. Meanwhile, Joby J Ford demonstrates true guitarmanship without the OTT fret-wanking twaddle with which most of today’s players have become obsessed.
And yet this album is by no means a one-dimensional affair. Rather than rewriting their phenomenal punk rock masterpiece debut (recorded in Gilby ‘Guns N’ Roses’ Clarke’s garage), The Bronx have demonstrated they are by no means one-trick ponies. If they had repeated the formula that worked so well on the debut, then The Bronx would be written off as boring fuckers but, as with all great bands, reinvention is of the essence.
The subdued ‘Dirty Leaves’, complete with subtle keyboards, finds Mssrs Caughthran, Ford, Tweedy, and Vik exploring their musical horizons. ‘Transsexual Blackout (The Movement)’ is a hip-swinging boogie rocker and ‘Around The Horn’ is a bad-boy dirt-fest. Closer ‘White Guilt’, replete with slide guitar and Caughthran’s croons of “Too many lines, one too many times”, almost sounds like The Rolling Stones (hey, I did say almost), and ensures ‘The Bronx’ ends on a high. It’s all over in little more than 30 minutes, so there’s no room for aural diarrhea – just tonnes of confidence and damn good songs!
The Bronx will bludgeon your ears in a far more genuine and accomplished fashion than Avenged Sevenfold. And they don’t wear make-up either. If The Bronx haven’t changed your life already, then they sure as hell will do now!

KILLSWITCH ENGAGE
‘AS DAYLIGHT DIES’
(ROADRUNNER)

Rating: [9]
Add Your Comments


It really should be getting boring by now. Four albums of metallic and melodic pre-screamo post-hardcore metal for the masses should be enough for the punters and the press alike. A backlash, if not already forthcoming, should be ready and waiting to greet any band who have the temerity to make records that affirm and enhance their original sound while breaking limited new ground. Fans should stray to the hot new sound and critics should vehemently froth and decry for all to hear. For any other band it would mean trouble. But for Killswitch Engage it is not. Their fourth record is nothing new, nothing revolutionary, and certainly nothing shocking – and from that description it sounds tired, tawdry and tepid. It is anything but.
‘Daylight Dies’ opens the album with trademark stomp and bombast, a blitz-like attack with chugging riffs and blasting vocals, and it takes until third track ‘The Arms Of Sorrow’ for the initial rush to subside, as the band introduce the more serene style for which they are known. This gives frontman Howard Jones the chance to showcase his vocal lift and register while guitarist Adam Dutkiewicz and company playfully throw a Botch-esque breakbeat under the singer to keep the undercarriage undulating, and ensure the track veers away from aping ‘Rose Of Sharyn’. It does sail close and of course it is no comparison to the stellar ‘My Last Serenade’, but the song is another excellent addition to the band’s burgeoning canon. The fifth track of 11 laid down, ‘My Curse’, with its sweetly picked guitar line and sulphurous mid-sections, provides the hook on which the whole album can hang. Epic, expansive and emotive, the effort is vintage Killswitch, the distilled essence of a band at their most musically articulate and confident. Truly outstanding. Following this, as a moment of poignancy sixth cut ‘For You’ is difficult to beat; Jones contemplates his life, his faith, and his position in the world more openly than on previous occasions, being eloquent but not exclusive, being deeply personal yet utterly universal.
These moments and more contribute to another album that defies logic from Killswitch Engage. How can they keep their sound so similar but so fresh? How do they keep their ship so steady? How can they keep getting better? Who knows. What is obvious is that Killswitch Engage are different, their sound matures but still retains all elements of its evolution; they laugh, joke, and act the fool, but their music is both credible and serious. Simply put, the rules do not apply to the Massachusetts quintet.
‘As Daylight Dies’ is similar to previous efforts, even samey at times, but it still sounds stunning. It should not make sense. It does.

senses fail-bloody romance


Seattle horror-punks set to return with third long-player

AIDEN have named their forthcoming album. The title is to be Conviction, and is planned for release mid-July 2007. The band have just completed their first Australian tour, and are finally taking some well-earned rest in Seattle before writing/recording the new album in the New Year.

They will be part of Taste Of Chaos 2007 in the US from February – April, alongside The Used, Senses Fail, and 30 Seconds To Mars, then return to the UK with Lostprophets and Taking Back Sunday in April. Summer festival appearances and a headline tour at the end of the year are planned.

In the studio, and the fan-related murder

Firstly:

Launch Radio Networks reports: METALLICA is tentatively scheduled to enter the studio this month and begin recording the follow-up to 2003's "St. Anger". Although the band spent most of 2006 writing the new record and will spend a good part of early 2007 laying it down, drummer Lars Ulrich told Launch that he doesn't feel the process is taking any longer than usual. "I don't think it's taking a particularly longer time than it has, it's just that the work is spread out," he said. "The days of 16-hour studio days and six days a week, that's not really happening. We sort of come down here at, you know, nine in the morning and then we sit and work 'til we have to go pick the kids up, or 'til somebody has to go to the dentist or something, you know (laughs)."

Ulrich recently told Launch that METALLICA has written about 25 songs for its ninth studio effort and will trim that down to one album's worth of material.

Referring to the controversial, low-fi production on 2003's "St. Anger", Ulrich said that he's "taken the drums out of the cardboard boxes" this time, and that lead guitarist Kirk Hammett will have guitar solos on this record.

The new disc will be produced by Rick Rubin and is expected out by late 2007.

Ulrich and actress Connie Nielsen are expecting their first child together after dating for two years. The baby is due early next summer. Source: Blabbermouth

And this from the Edmonton Sun:

"A clash over heavy-metal band Metallica sparked a fatal fight aboard a city bus last March, two teenage witnesses testified in court yesterday. A preliminary hearing is underway to determine whether four teen boys should go to trial for manslaughter in the March 2 bus beating death of Stefan Conley, 35. Three of the accused were 17 and one was 16 at the time. Yesterday, a 16-year-old boy who saw the fight told court it began as four boys were sitting in the back of the bus talking about heavy metal bands - Metallica in particular. One of the boys was wearing a Metallica tuque and had a Metallica tattoo on his shoulder, the witness said.

Then Conley, also sitting in the back of the bus, butted into the discussion with his two cents about Metallica, and a dispute ensued between the four boys and Conley that got increasingly heated. The witness said Conley told them, "You guys don't know metal. Metallica is nothing." In response, the witness said, one of the boys undid his belt buckle and the top button of his pants, as if to invite Conley to perform oral sex on him. That made Conley angry, said the witness. The witness said Conley stood up from his seat, went over to the boy and grabbed him by the jacket at his chest. The other boys started yelling at Conley, "Get off him! Get off him!" and three of them proceeded to punch Conley in the face, the witness said. The punches were "hard punches - giving it all they got." The witness figured Conley was punched between five and 10 times in the face. They punched Conley until he let go of the boy's jacket, said the witness. Conley, whose glasses had fallen off, appeared "dazed" and had blood coming from his mouth. He was wobbling and his eyes were looking upward, said the witness. Then, as the four boys were getting off the bus, one of them gave Conley one last push with both hands against his chest, said the witness. Conley took a backward freefall, bashing the back of his head against a bus seat and sliding between two seats, said the witness.

The witness couldn't say which boy gave the final shove. But a second witness yesterday, a 16-year-old girl who was also at the back of the bus, pointed out the boy seated in the courtroom who she said gave the final push. Her account of the argument and fight was almost the same as that of the first witness. She said as an angry Conley grabbed the boy, he said, "I got four punk kids on me."

She also said that as the fight ended, it looked like Conley was trying to "catch his balance" before he was pushed. Both witnesses said they were shocked to hear that Conley had died from the beating. And both said they never saw anyone kick Conley or stomp on him. Conley was later pronounced dead on arrival at hospital. The names of youth witnesses can't be printed.

Four teens were walking away from a fight with Stefan Conley on a city bus when Conley reached for one of them and was shoved to the floor, a teen witness told court today. The girl testified today at a preliminary hearing to determine whether four teen boys will stand trial on manslaughter charges in the March 2 slaying of Conley, 35. Three of the accused were 17 and one was 16 at the time. The witness, whose name canÂ’t be printed because sheÂ’s a youth, said she was at the back of the bus along with Conley and four boys as the bus headed west from Mill Woods. A dispute broke out between Conley and the four boys about the heavy metal band Metallica and got increasingly heated, the girl said. Two other teen witnesses have also testified the fight began with a dispute over Metallica.

One of the boys, who the girl called “Metallica guy” in a statement to cops, had a Metallica tattoo on his arm, she said. “The victim was saying he went to one of (Metallica’s) concerts and he was more of a fan (than the teens) because he was there when they were around, and now they don’t tour.” All of a sudden, Conley got angry, went over to one of the seated teens and punched him, said the girl. Her version conflicted with those of two previous teen witnesses, who testified Conley grabbed the teen by the collar area of his jacket but threw no punches. One of the boy’s friends tried to pull Conley off the teen and all of the boys then started punching Conley, she said. Then they stopped punching and went to get off the bus. Conley, who was bleeding heavily from the mouth and looked “out of it,” reached out for the last of the boys to grab or hit him and the boy pushed him away, said the witness. Conley toppled backwards to the floor, bashing the back of his head head on a seat. His head bounced once, and then he fell back to the floor and didn’t move again, she said. The girl, her friend and two boys got off the bus and walked to South Edmonton Common. The girl said the four boys involved in the fight walked away across a field. Conley was later pronounced dead on arrival in hospital. The girl’s evidence about the final push conflicted with that of her 16-year-old friend, who on Tuesday testified that Conley appeared to be blindly grabbing for a pole to catch his balance when the boy shoved him backwards. Court has heard Conley’s blood alcohol level when he died was .164 – more than twice the legal driving limit of .08. Today, the four accused teens’ defence team plans to call a witness to testify about Conley’s alleged propensity for violence. Defence lawyer Ed O’Neill said court will hear of an incident that happened one week before March 2.

Paul Catten nearly dies during routine surgery

"The future of Murder One continued to be cursed as vocalist Paul Catten recently ended up on a Life Support Machine after routine surgery for his appendix went terribly wrong.

Paul was taken into hospital for suspected appendicitus shortly before xmas. After 24 hours observation it was decided to carry out the normally routine surgery on the Sunday morning. At 12 30pm on the Sunday, Paul was given a full anaesthetic and immediately suffered a severe allergic reaction, which resulted in a cardiac arrest. Once resuscitated and his condition stabilised, the appendix was removed and Paul was put into a drug-induced coma for 24 hours and kept on a Life Support Machine for the duration. He eventually woke at 9 30pm on the Monday. He remained in hospital for several days as to recover from both trauma and surgery.

He is now fully recovered, though still shaken and currently looking forward to the bands tour with Textures in late Feb.

The curse continues.

Chicago goth punks post new album teaser

Chicago goth-punk trio Alkaline Trio have posted online an e-card/trailer for their upcoming B-sides and rarities CD/DVD, Remains, out Jan. 30 on Vagrant (details). The e-card contains two streamable songs, "We Can Never Break Up" and "Hell Yes," as well as a trailer of the accompanying DVD. You can hear and see all pertinent goodies at this link.

The band are currently writing for their new album, which will come out in mid-2007 on their new label, V2. There is still no word on the reissue of the band's first album, Goddamnit, as drummer Derek Grant first revealed in April.

Source: Alternative Press

On May 4, Sidgwick and Jackson (an imprint of PanMacmillan Books) will publish "Axl Rose - The Unauthorized Biography" (cover), written by longtime rock journalist Mick Wall, formerly of Kerrang! magazine. The official book description reads as follows:

"Axl Rose is one of rock's most colorful figures and yet his story has never been properly told until now. Mick Wall knew the original line up of GUNS N' ROSES before they were famous and has interviewed them many times. Drawing on exclusive unpublished material, he has written a no-holds-barred study of the troubled life and turbulent career of the group's singer and leader.

"The roots of Axl's behavior lie in his difficult childhood in Indiana — brought up in a strict Pentecostal household Axl claims, he was abused by his father William Rose and as a teen got into trouble with the police. Escaping to L.A., he and his fledgling band struggled to survive until they were signed up by Geffen in 1986. The first album, 'Appetite for Destruction' turned them into stars but the band's decadent lifestyle took its toll — they embarked on a two-year tour that sounded the death knell for the original line-up. As their lives slipped out of control, the original members all left and Axl turned into an increasingly reclusive figure. For the past thirteen years, he has been working on a long-awaited album, 'Chinese Democracy', and finally in 2006 has re-emerged into public view as the latest GUNS N' ROSES line-up embark on a world tour.

"Scrupulously researched and vividly written, 'W. Axl Rose' is an explosive biography of rock's biggest living legend."

Mick Wall's unauthorized GN'R biography, "Guns N Roses: The Most Dangerous Band In The World", first published in Britain by Sidgwick and Jackson in 1991 (and in America, in updated form, the following year, by Hyperion) so incensed W. Axl Rose that he wrote a song about it, "Get In The Ring", from GN'R's 1991 zillion-selling "Use Your Illusion II" album.

Wall recently wrote an article about GUNS N' ROSES' long-awaited new album, "Chinese Democracy", for the U.K.'s The Mail, stating, in part, "The last time I actually saw Rose, though, was when he and three menacing 'cohorts' cornered me in a Los Angeles bar and threatened to murder me if I went ahead with a planned book on his band. 'If I see anything with my name on it, I promise you this,' he said, pausing for effect while peering at me through his long red hair, 'I will track you down, and I will kill you.'

"Of course, I went ahead with my book. By then, Rose threatening people with violence was a fairly regular scenario.

"A couple of months ago, Merck Mercuriadis, who until recently was managing Rose, said, 'I donÂ’t know that we will announce a release date. You might just walk into your record shop one day and find it there.' (Since then Merck has become the latest to fall out with the singer after a row last month.)

"An Internet announcement [last] month by Rose predicts a 'firm' release date of March 6, 2007. But as Rose himself said via the GUNS N' ROSES website, 'If you're waiting, don't. Live your life. That's your responsibility, not mine. But if you're really into waiting, try holding your breath for Jesus, 'cos I hear the payoff may be that much greater.'"

Killswitch Engage discuss their album
01 December 2006 3.58pm


Part-time K!TV reporter Adam D and Howard Jones of Killswitch Engage have sat down to take Kerrang! through their new album, As Daylight Dies. Watch this exclusive, hilarious guide right here on Kerrang.com, via Roadrunner Records…

Muse announce Wembley summer show
04 December 2006 4.41pm


Muse today announced that they will play Wembley Stadium on June 16 next year. Tickets go onsale on Saturday December 9 at 9am. Click here to buy tickets when they come on sale.

Hammerfall unleashed on UK
02 January 2007 4.27pm


Back for the first time since their incendiary Scala show in 2005, Hammerfall are bringing their assorted hammers, pitchforks and garden implements to a stage near you in February. Leave yours at home though, security probably won't be best pleased otherwise.


Feb 20 - London, Electric Ballroom
21 - Glasgow, Garage
22 - Dublin, Temple Bar
23 - Bradford, Rio
24 - Dudley, JB's

Lostprophets reveal new album details!
05 January 2007 3.37pm


Lostprophets frontman Ian Watkins has revelaved to Kerrang! that the band's follow-up to 2006 'Liberation Transmission' will have a darker edge than previoous releases. "It's going to be a lot darker this time," says Watkins. "There's a ot of personal, frustrating stuff that's happened in the band. We're done with being positive. I'm going to unleash the dark side!"


More surprisingly, the Welsh sextet are beginning to work on the album later this month with a view to releasing it in the autumn. "We want to release it in the autumn because nobody expects it," the frontman reveals. "With every album we've done , we've disappeared for a year and convalesced. We won't do that this time. We've got loads of ideas to work on and we're up to the challenge."


The band begin their first ever arena tour on April 18 with support from Taking Back Sunday and Aiden.

unholly confession-av7

Fall Out Boy tour/single/album dates03 January 2007 3.49pm
Multi-platinum Kerrang! coverstars Fall Out Boy have lined up their first UK live shows of the year but unless you've already lined up tickets you'll have to beg so best hang on for their new single and album instead. The Three Countries in Three Days tour sold out in minutes, supporting the release of their new single 'This Ain't a Scene, It's an Arms Race' which you can listen to free at www.falloutboyrock.com. It's the first single from their new album Infinity On High, out on February 5, which features Jay-Z. Seriously.
65daysofstatic tour news05 January 2007 4.59pm
Having spent most of 2006 touring their 4K-rated album One Time For All Time, 65daysofstatic are back with an as-yet-untitled new album due out in April and a world tour which hits the UK in May:07 - Sheffield Plug 08 - Leeds Cockpit 09 - Preston 53 Degrees 10 - Manchester Academy 3 (TBC)11 - Newcastle Academy 2 (TBC)13 - Nottingham Rock City 14 - Birmingham Academy 2 15 - Cardiff The Point 16 - Portsmouth Wedgewood Rooms 17 - Exeter Phoenix 18 - Reading Fez Club20 - London Koko